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Hilma af Klint: What Stands Behind the Flowers by Hilma af Klint, Jodi Hauptman, Ewa Lajer-Burcharth, Laura Neufeld, Lena Struwe

• Hilma af Klint: What Stands Behind the Flowers
• Hilma af Klint, Jodi Hauptman, Ewa Lajer-Burcharth, Laura Neufeld, Lena Struwe
• Page: 272
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781633451681
• Publisher: The Museum of Modern Art

Hilma af Klint: What Stands Behind the Flowers

Download free e-books Hilma af Klint: What Stands Behind the Flowers MOBI

Af Klint's exquisitely rendered botanical portfolio reveals a deep spiritual engagement with the flora of her native Sweden Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her Nature Studies portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes--representational and abstract--demonstrate the artist's belief that close observation of nature reveals "what stands behind the flowers" ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, Hilma af Klint: What Stands Behind the Flowers presents the drawings alongside contextualizing artworks and translations of the artist's previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint's portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works. Hilma af Klint (1862-1944) trained at Stockholm's Royal Academy of Fine Arts and established herself as a professional artist. In the first decade of the 20th century, she developed a unique abstract vocabulary, some years earlier than her peers. Whether on canvas or on paper, her singular work is informed by her spiritual investigations and, as this project demonstrates, an interest in and attunement to the natural world.

Hilma af Klint | Publications & Editions - Christine Burgin
Included are the first mediumistic drawings she created with The Five; Flowers, Mosses and Lichens, a spiritual explication of the plant world; and the Blue .
Hilma AF Klint: What Stands Behind the Flowers - Rizzoli Bookstore
Af Klint's exquisitely rendered botanical portfolio reveals a deep spiritual engagement with the flora of her native Sweden. Across the spring and summer .
Hilma af Klint: What Stands Behind the Flowers
In the spring and summer of 1919 and 1920, during a period of intense engagement with nature, artist Hilma af Klint drew flowers almost every day.
Hilma af Klint: What Stands Behind the Flowers | Apollo Magazine
The artist's abstract works were informed not only by mystical thinking but also by the shapes and colours of the natural world.
Art Talk - Hilma af Klint: What Stands Behind the Flowers - YouTube
Art Talk - Hilma af Klint: What Stands Behind the Flowers. 134 views · 3 weeks ago .more. NCCMC. 1.48K. Subscribe.

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